Thursday, April 17, 2008
A Somewhat Manifesto, somewhat resisting Doug C.
Tree-Stem-Apple
I. Tree
People think poetry is easy because of the gaps,
but this is exactly why I challenge you to rethink it.
These gaps must be perfectly placed,
orthodontist unlike
this poem,
waiting for action over time
words eject you from your seats
tear books off Barnes & Noble’s shelves
dump your Starbucks on the ground
make something artful for your self.
Stop the spoon feeding please.
Wake up one day and realize this is it,
not waiting for another plane
Gulf of Mexico hurricane.
Your brother is sitting next to you
I next to him.
The watch of complacency
keeping us all in line-check.
Remember when we grew through
grass roots.
Gardens mattered before
there were so many people that
became matter.
So many people, confusing choice
always holding out for
better man
Super Size
better deal
not so new
one true love.
Come find your true love for the night.
silver Patron shots seven dollars.
One, two, three, four
tell me you don’t love me anymore.
Blood shots, eyes,
a want to leave,
try to sneak out at five,
but you make me linger for guilt
to feign a commitment
that will not happen.
You’re not it.
No dumped books but your coffee is on the floor.
Don’t listen, don’t hear,
don’t understand,
just nod your head,
pull on my beard a bit,
it makes me feel like a cat.
II. Stem
I always pull on my beard
expecting jewels to fall out,
because I can’t just give up,
so I take it out on my beard.
There’s too much relying on me,
What? You say.
My fathers’ untended walkabouts,
my friends who waver
without moving
who don’t want the flatline,
who need the highs and lows
that come with imbalances
in the mind
form manmade poison
that society requires me to pay
my life with work my life
with so many people.
Can’t I just bob and weave in stagelight,
singing some too cute lovesong
with boyish good looks,
impetuousness
that I left in a bronze van in the
Oakland Coliseum parking lot?
The release set in, smile curl up
the controls set loose upon
personal testing of limits around my head,
when I can’t just let a good beard sit
when I’d rather pass time pulling
Brillo pad hairs resisting
like roots of a Chia pet.
Enough pull
uprooted carrots for peeling
to split ends.
III. Apple
Which is more resistant
the subject or the voice?
What do you love young poet?
What are you in opposition to?
Can you be idealistic?
Only with my trombone-
jackhammer in hand,
a lever of the green machine
over red tornado clay
liquid mud I spread over you
lyrics misrecited,
I still wonder are the gapsin my head or in your body?
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